Last time, on the trials and trevals of squids,

I think I mentioned (once, twice, a million times) that me, the kitties, and the Husband were moving.  We are safely tucked into our new house, but we are still totally in the unpacking stage; therefore, there’s not going to be a whole lotta art talk today.  However, there will be pictures of the house and the beautiful, beautiful studio.

Also, if y’all are in the Green Bay area on Saturday, come by the The Art Garage and see my art in person!  I have two pieces in the show.  You might even get to see me win some money.

So, without further ado!  Our new house!

     This is our gianormous cloakroom.  There will never be a need for coats or shoes to be misplaced again.

     The front room.  There’s one of my sculptures hanging out in the back.  It’s guarding the back hall (below).

     The bedroom replete with a sleepy kitty (above), and the library/music room/office replete with confused identity (below).

     And, the pièce de résistance, my amazing studio–still a wreck! /o\–but still completely awesome.

     So, that’s the new house.  Of course, there are rooms I didn’t show–because I didn’t want too!  *cackles maniacally and runs about sill-li-ly*  Really, I thought the complete wreckage was just too much to share.  When it’s less wreck-ish, there will be better pictures.

     Ciao, my doves.

*languishes*/ETA *squeeeeeeeeeeeeeeeeee*

***Wordpress is still not spacing correctly.  *FLAILS*  Mad squid is mad.***

     I’m waiting to hear about The Art Garage competition I entered.  I haven’t heard anything yet.

     *is jittery and crazy to know*

ETA:  I just got the call that my both of my pieces were accepted! *EEEEEEEEEEEEEEEE*

     Totally compounded by the fact that I now volunteer there.  Talk about a conflict of interests.  <–I was told it wasn’t, but y’all know me, I can’t help but be a worry-wart.

     So, I had promised that I was going to post pictures of the sculptures that I entered.  I was waiting until today because–I don’t know–it seemed appropriate to wait until the competition is over?  Does that even make sense?

     So, my (not-so) little friends.

     The prompt for the show was–

Seeking works of art in all media that focus on personal memories and the essence of our past. Artwork will need to be created with some recycled materials in order to promote the importance of being environmentally responsible.

     And the application asked for–

A brief artist statement must be submitted with the images explaining what inspired this piece of artwork and what recycled materials were used.

     So, my first piece is unnamed friends:  from the 100 acre wood, and it is, basically, a tree stump (yes, there is a joke in here about my nickname being ‘Trie [tree]).

     This thing was crazy to make and is freaking huge.  It’s about 4 feet tall, hand built (and sewn) from brown paper grocery bags (building a tree from dead trees makes sense to me), has a felt face with buttons, and has crocheted accents and a cardboard interior frame.

     It took a really long time to build.

     The other piece is also quite large.

     Okay, it’s huuuuuuuuuuuuuuuuuuuuuuuuge too.  Nearly 4 feet again.

     I keep making things that are nearly the size of me. o.O

     The second piece is unnamed friends:  narwhal, and it is built from old coats that were purchased from the local Goodwill.

     Again with the “it took forever to build.”  Considering I hand-sew everything, that makes sense, but then again, I wouldn’t get the same fluidity and–yes, I’ll admit it–awkwardness if I didn’t hand-sew.

     The artist statement for these pieces was–

The inspiration for unnamed friends:  from the 100 acre wood and unnamed friends:  narwhal comes from a combination of kawaii culture, children’s storybook narratives like Winnie the Pooh, and memories of my own most beloved toys.  The scale of the sculptures, in relationship to an adult, evokes the feeling of childhood where everything feels large and strange—even one’s toys.  The materials, even though they are primarily recycled, gesture to those parts of childhood that are recycled from others:  clothes that have been handed down, toys that have been inherited or made from old clothes, and books that belonged to older siblings.

The recycled materials in unnamed friends:  from the 100 acre wood include brown paper grocery bags, cardboard from a shipping container (ironically from Dick Blick), and felt inherited from another artist.  The recycled materials in unnamed friends:  narwhal include a leather coat and a suede-and-faux-fur coat from Goodwill.

     So, those are my friends.  They took weeks and are taking up huge amounts of real estate in my current studio, but they are so freaking cool.

     I shall sleep the sleep of the accomplished tonight. \o/

This is the piece that never ends. It goes on and on, my friend.

Okay, I’m still buried (no pun intended) in my sculpting. The unnamed friend that I’m building for the Art Garage competition has eaten around 14 lbs. of poly-fill, and I’m not done sewing him all together yet.  *laments and tears my hair*


Toss into the mix that I’m still building the other sculpture (tree stump-ish creature), and my hands really, really hurt.


One day, I will  have a sewing machine that doesn’t hate me so that I can do some of my sewing on it.  <–Okay, that really wouldn’t work with the way my critters are built, but I can dream, can’t I?


So, I promised some out loud thinking about ecology and world building as it relates to my conceptual process.


Be prepared.  It isn’t fully developed yet.  Mostly because it was a typical-for-me shower revelation.  <–My best ideas either come out of taking a shower or insomnia.  When I can get them to work together?  Pure magic.


I’ve always know that I was building creatures and habitats that exist in the same sort of world, but I’ve started to suss out where they exactly fit into that world building.


The taxonomy series really come out as the insectoid creatures of the world–which makes sense since, in my head, taxonomic structures are connected to insect collections.


I had one when I was a kid.  In a cigar box.  Grasshoppers were the hardest to catch.


The chimera series are almost like the old gods of the world.  Giant, eyeless, removed from the rest of the inhabitants of the the world, and totally without compassion for the other creatures that live there–which probably explains why a lot of the references in this series are dependent upon popular culture, fairy tales, and archetypes.


The scrump series would be the algae of the world.  Especially, since the amorphous ubiquity of the scrump comes from the mass in Tenchi Muyo, although the name and grotesque nature of the scrump comes from Lilo and Stitch.


The habitat series are the places that some of these creatures live (mostly the taxonomy insects).


It’s not eloquent or complete, but it was nice to have some of this world building situated more firmly in my head.


And, now, I must be away to sew more on the Sculpture That Will Not End.

World Water Day=snowpacalypse

It’s kinda ironic, if you think about it.  Not that the now isn’t beautiful (and I have totally been taking night photos of the snow storm–they are forth-coming).


So, last week, I told y’all about the two pieces that I submitted for “The Voice of Water” competition at College of Menominee Nation‘s Sustainability Institute.


Both of my pieces placed!  The photograph placed third, and the painting placed second.  Honestly, the third place means more to me because there was more competition for it, but both of the pieces placing is very exciting since neither medium is my preferred medium.  <–Although, the painting is kinda sculptural due to the use of modeling paste medium.


What I didn’t remember to tell y’all is that “The Voice of Water” prompt was for World Water Day (I’m not sure I actually knew it at the time I entered).  I went to the little showing at CMN because I totally wanted to see the Best of Show (it was an art quilt; it was awesome).  I also wanted to see the little kids interpretations of water.  They were looking really good.  Loads of potential.


Also, today–because World Water Day and a snow storm just wasn’t enough–I did my guest lecture thing for the Husband’s Humanities class.  There were a whole four people, but it seemed to go well.  Since an hour-and-ten-minutes really isn’t enough time to do more than a cursory drive by of the 20th (and 21st) century, I did a more “let’s talk about how we perceive and define art and how that has changed through the 20th century” thing.  The kiddos talked (*shock* *awe*), and there was even a bit of contention between students about what constituted art.  I did a drive-by of ontology and a reminder of semiotics, and I got the chance to show them some of my favorite artists.


It was shiny.  Probably in my top ten teaching experiences.  And!  There wasn’t all the normal pressure of teaching since I was just a guest!


Later this week, there will likely be another blog.  I wanna show y’all the night photography I’ve been doing (got a new tripod, thanks to the Husband), I can tell y’all about the fabulous coffee and cheese prizes I got for my art placing, and I can tell y’all about Gallery Night at The Art Garage.


*points*  If you’re going to be in Green Bay Thursday night, come to the Gallery Night!

The Fiction Project

So, as I’ve said previously, I’m participating in “The Fiction Project” which is described as

“Share a story.

Calling all authors, ‘zine makers, comic-book writers, diarists, poets and storytellers: Our library needs your words!

The Fiction Project is an opportunity to tell stories in a different way by fusing text and visual art. Add your voice to this year’s coast-to-coast tour and create new work grounded in the act of writing. After traveling across the country, the Fiction Project will enter into the Brooklyn Art Library’s narrative collection, archiving your stories to share them with the public.

Anyone – from anywhere in the world – can be a part of the project. To participate and receive a journal that will travel with the 2011 tour, start by choosing a theme to the right.”


My theme is “It will be fun.  I swear.”  I’m kinda trying to decide what to do for it.  They want 51% of the moleskin to be handwritten text (not a big deal), but I’m not sure what to write about.




I’ve been thinking about the zombie!bunny apocalypse or detailing the misadventures of Stymie (all Justin’s fault).


Maybe both?


I can see it now–haiku poetry about the ending of everything and death brought on the rotting, softly plophop of zombie!bunnies.


So cute.  So deadly.  So smelly.


In my defense, there hasn’t been a zombie!bunny novel yet (as far as I know); the best that I can come up with in that department is Bunnicula.  Obligatory Wikipedia article over————————->here.


Did y’all know that there was a third book in the series?  I mean, so few people know about The Celery Stalks at Midnight, but I’ve never heard of Howliday Inn.


Actually, there’s a bunch of Bunnicula books.  Maybe there’s a zombie!bunny in there somewhere?


With Stymie, I’m not sure what I would write about.  I have this weird thing going in my head that he’s very sad and morose–kinda like Eeyore–but that he bounced and drip-drops like one of those post-egg but pre-limb Digimon.


The Husband and I were also playing with Stymie’s plushie rendition and decided that he can fly, but in order to fly, he has to flip himself upside-down.  And, then, he kinda putputputs rather than zoooooooooooooms.


Maybe, that should be the plan; somehow, have the “It will be fun.  I swear.” as part of the shennanigans that Stymie and his other awkward friends get into and have little pencil/pastel drawings and plushie things in there.




This might work.


I’d still be happy for suggestions or prompts, so feel free to share or suggest.


*tra lala la las away*

Making up for the spamming…

It seems like everything I’ve been posting of last has been promotional spam.

I apologize.  That isn’t fair to y’all who wander through here looking for weird squid-made art to look at.  ‘Cause, really, why would y’all want to read the stuff I write for Handmade News; it’s more than a little dull, I think.

*POINTS*  See!  See what I did there?  It’s insidious and nefarious.  That promotion–stuff–is infiltrating every aspect of my life, and it has got to stop.

The real point of this post, aside from profuse apologies, was to show y’all what deconstructing pierott looked like in action.  It was accepted to an online magazine, which I’ll pass along when it’s going to be published!, and they wanted a short video for it! \o/  So, here it is–

Creative Commons LicenseThis work is licensed under a

Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License.

The piece itself if over in my wearable art section along with several of my other pieces, but in case y’all don’t remember what it looks like in its non-worn form, here are the images.

My lovely model in the video is my friend Genna.  The model in the photographs is my lovely model and flatmate Ian.

Creative Commons LicenseThis work is licensed under a
Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License.

deconstructing pierott

3’6”x1’6”, dimensions vary
chicken wire, feather trim, tulle, ribbon, paper, jingle bells

deconstructing pierott is a wearable art piece that deconstructs the idea of the pierrot from commedia dell’arte while simultaneously referencing late 19th and early 20th century women acrobats and gesturing at the movie Prophecy. In its deconstruction, this piece also addresses the issue of being female, its restrictions, and the way in which women, even today, are displayed. The piece also jingles when it is worn to replicate the sound of the zany and the capering of the pierott.

Tulle: The Bane of My Existence

In other words, Opal and Vanya’s tutus are finished and shipped! *Kermit-flail of GLEE*


For those of you playing the home game, these are tutus that are being word as Opal is married and Vanya is her bridesmaid. <——–This is quite possible too cute for my to adequately express, so let’s leave it at AWWWWWWWWWWW!




Opal’s (The Bride without the Kill Bill Vol. 1 conotations) tutu:


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This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 Unported License.



Vanya’s (OMG!  Is this the cooliest name ever?  Y/Y?) tutu:


Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 Unported License.


The concept for the tutus were a peacock and her child with a (very) little bit of steampunk, lolita, and Victorian circus to it.  Whether they succeed in this is another matter, but these were the places I was taking inspiration from.


So, in addition to work and Script Frenzy, these are what have consumed the last month of my life.  Isn’t it grand?

…ArtWear update

I posted a new …quixotic or not.  We’re back to the Memento Mori, or an Alphabetic Squid ’cause I had time to fight with the knot-work on the “B” today.


*is annoyed at B*


But, there has been other excitement.  After two weeks (which really, if the time spent at work was removed, would have equalled one week) of intense, non-stop arting, the pieces for the ArtWear show are done and shipped and, with any luck, they won’t be returning to me, but I’m not holding my breath.


So, here is what was sent.  Some are old; most are new; all will be on display at the show and for sale.



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This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 Unported License.






wedding present, or incidentally gender politics





deconstructing pierrot



untitled, or under constraint

















scrump on the go






As always, my lovely housemate.  *applauds*


That’s what I sent.  13.5 pounds of wearable art.  Insured and eeeeeeeverything.


*collapses exhausted*


Now!  I write my Comp I syllabus.  I did mention that I got the teaching job at Kish, yeah?


*tra lala lala la la*