burlesque shows, new quarter openings, and just general craziness

So, yeah, I went to see Savage-a-Go-Go last Friday with the lovely Miss Z, of Knits by Zoe.

(NB:  The next Savage-a-Go-Go show is November 30th; if you’re in Wisconsin–I don’t care where you are–y’all should come.)

It was A-MAZ-ING!  Seriously, like whoa.  The music was fantastic; there was a nice mix of silly and sensuous and gore (It was a Halloween show after all.).  The ladies (and gentlemen, ’cause there’s a few lads) are all incredibly talented and are having a fabulous time.

So, this is Ruby Stardust performing at the Bustin’ Out show in September. I couldn’t find a good picture from the Halloween show. *meh*
Ruby does this interesting mix of Middle Eastern Dance combined with Krunk and Pop-Lock. To Dubstep. Seriously. This routine was to Skrillex’s “Scary Monsters and Nice Sprites.”

That is maybe my only complaint:  not always being able to track down songs that I really like later.  Some I’ve heard recently enough that I can track them down, but sometimes, I’ve only heard them a couple of times.

*shrugs*

I WANT PLAYLISTS DAMMIT!

…of course, they could totally be posted on the Facebook page, and I just don’t stalk it enough to see. <–Facebook makes my head hurt a lot of the time, tbh. *should probably go look*

And, a video of one of their other performances!

 

Okay, so on the squid-art front, I’ve been spinning through just about everything I have to spin that I haven’t already cleaned, carded, and dyed.  *sigh*  That’s going to be happening soon, isn’t it?  *eyes studio warily*

But, yeah.

skeins hanging to dry
Yep, I had quite the backlog.

Please, don’t mind the mess.  My studio desperately needs to be cleaned and reorganized.  Again.

*grumbles*

I also have some commission spinning waiting for me, but I’ve been having problems sitting down to do it (probably because it doesn’t have a due date).

I WILL SPIN ON IT TONIGHT! *is resolved, see my Resolved Face?*

But, that’s because it’s the new Quarter at the ARTgarage Meet The Artist–thingie.  So, yeah, I’ll be there demo-ing in my corner feeling kinda meh because, most of the time, people are interested in seeing me spin rather than seeing my art. <–The problem in being a conceptual artist in Wisconsin, yo. *is kinda frustrated*

So, yeah, if y’all are free tonight–and, ya know, in the area–Opening at the ARTgarage from 5-8.

And, since we’re chatting about the ARTgarage, my November Bookmaking class (Nov. 10th and 11th) is running.  I think the book-types are going to be insta-book, accordion/concertina, pamphlet, basic codex, Japanese stab-binding, and altered (via folding).  What do y’all thing?  Good types that can easily be worked from?

Also, because I actually don’t suck for once, it seems like my November drop spindle class is running too (Nov. 13th)!

WHAT’S WRONG WITH THE WORLD?

Okay, enough of that.  I swear I am working on art, but it’s all in these really weird early forms at the moment that I haven’t taken pictures of.  Soon, my precious.  Soon.

And, I still owe y’all a poetry post. <–Which may very well relate to my next Quarter’s offerings.

Courage.

 

studio update

I’ve been being kinda cagey about what’s been going on in the studio, and I haven’t meant to be.  Just too much crazy lately to be chatty. <–Okay, I’ve been chatty, but it’s also been coming out as chatty spaz.

 

And, more often than not, half in squid.

 

 

Yeah, I have my own language.

 

So, studio.  I recently took a class with the amazing Ahliah Zia Shashonah, and between her and Miss ‘Lain, my sewing machine phobia is well on it’s way to abatement.  \o/  Do y’all know how long it takes to hand-sew my unnamed friends?  This is going to be so, so, so helpful.

 

…okay, the scrump are still going to have to be hand-sewn because that’s part of their concept/process, but everything else is going to be sewn with the sewing machine!  *bwahahahahahahahahahahahahahahahahahahaha*

 

 

For mine is an evil laugh.

 

 

BWAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHA!

 

I’ve also been learning to spin my own yarn.

 

roving=my new crack

 

Well, roving and Tazo Passion tea (hibiscus/blood orange tea).  *whistles*

 

So, because my friend Hel is awesome-upon-awesome and made me drop spindle, gave me roving, taught me to spin, and generally makes certain I get to the Shawano Weavers’ Guild meeting (’cause I still don’t know the area very well yet), she gets an unnamed friends plushie.  The first machine sewn one, in fact–unnamed friends:  fungoid owlet.

 

unnamed friends:  fungoid owlet

 

Additionally, an admirer of my work asked me why I just don’t sign my pieces with a tree since most people call me ‘Trie.  I, after some thinking about, really like the idea.  Plus, my last name?  Waaaaaaaaaaaaaaaaaaaaaaaaaaay to fraking long for a play.  <–a little paraphrase Love’s Labors Lost for y’all. *is a recovering Shakespeare-dork*

 

signature

 

…it even sorta looks like my initials.

 

I also sold a couple of piece on Saturday.  Nothing big and expensive, but enough to pay my studio rent at the ARTgarage with enough left over for a cuppa chai or Passion tea.

 

That reminds me.  My art and I are going to be at IQ’s Fall Art Reception on October 8th from 3-8 pm.  Heather Peterman invited me to participate, and I can’t tell Heather no; she’s too awesome.

 

So come, drink, and buy art!

 

Here’s my Calendar of Up Coming Appearances and Teaching (I need to figure out how to insert a permanent Google calendar into the blog, I think):

 

Story Beads:  Beading to Heal–September 30th    $30.00

The ARTgarage has a class cooperative with St. Vinny’s, and this class is being offered through that program.  This class is also totally based upon one that I took with Lisa Kay a couple of years ago.  She’s totally as awesome as you’d think she’d be winning a Fulbright.  Share the love!

 

“Visualizing Your Hopes and Dreams”:  An Art Night for Freedom House–October 3rd, 6-8 pm

It’s basically an art class being taught for the families that Freedom House helps out.

 

IQ’s Fall Art Reception–October 8th

3-8 pm at IQ’s Bar 2105 University Ave., Green Bay

 

4th Quarter Artists Opening Reception AND the first Artists’ Demo-ing Night (hip name yet to be chosen)–October 13th

5-8 pm at the ARTgarage.  The Artists’ Demo-ing Night is something new that we’re trying, so if you’re an artist in the Green Bay area, come to Demo Night!  We all aren’t ARTgarage artists either, and we’re willing to share our windfall awesomeness!

 

Japanese Stab Binding:  Books to Heal–October 14th    $30.00

Also, a St. Vinny’s class.

 

Artist Books:  A Bookmaking Workshop–November 11th-12th    $150.00

Bookmaking techniques and artist books! \o/

 

Artists’ Demo-ing Night–November 17th

Same sitch (yes, I did use “sitch”) as the other one.

 

Artist Dolls–November 18th-19th    $150.00

Really, this is ‘Lain’s gig; I’m just co-teaching.

 

Black Friday Mixed Media for Kids Class–November 25th

Co-taught with the fabulous Miss Carrie.  Bring your kids to be babysat to learn about and make mixed media art while you get some peace and quiet some Yule/Christmas/Kwanzaa/Hanukkah/Saturnalia/insert-your-holy-day-here shopping done.

 

Artists’ Demo-ing Night (I really hope we come up with a better title soon.)–Decemeber 15th, 5-8 pm

This Demo Night happens during the ARTgarage’s annual Holiday Sale/Show, so it’s a double header.

 

Miss ‘Lain is also teaching a couple of other classes that I’m kinda helping out with (Mostly so that I can take the class without paying for it!  Don’t tell!).

 

Circuit Bending 101–October 28th    $60.00

 

Puppetry–December 2nd and 9th    $150

 

So, I think that y’all are caught up…oh, wait.  There’s some more.

 

The last bits and bobs that haven’t been said in the update:

  • I have a ton of new unnamed friends that y’all can see on my Flickr.
  • I haven’t heard anything from my interview yet, so we’re all just going to have to hold our collective britches and wait.
  • I haven’t taken new pictures of the studio yet because it’s still a wreck, just a more organized wreck.
  • The preliminary returns are back on the Marathon for Literature, and it looks like the ARTgarage made over $2000 dollars for the ARTgarage and over $1000 for Literacy Green Bay. \o/

 

Okay, now I think that’s everything.  It’s been busy, yeah?

 

Courage.

playing catch-up. always.

I’m still playing catch-up from last week, and this week is bordering on the craptastic as well.  Oh, as they say, well.

 

Part of that catch-up was telling y’all about what it seems like I’m going to be teaching at the Art Garage in the Fall and a couple of thinky-thought questions I’ve been contemplating about how artists achieve success.  <–This one is totally due to the epic search for my certified birth certificate and car title so that I could get my Wisconsin driver’s license and plates for ‘Renn (my car).  *cues epic quest music*

 

I found them and have spend an inordinate amount of The Husband’s money making sure that I am a properly Wisconsin-licensed squid.

 

I have a collar and everything.  I’ve had my shots too.  /facetious

 

Now, I haven’t signed any teaching contracts yet for the Art Garage, but I have been given some tentative dates (which I’m not disclosing until I’ve signed the contracts), but it looks like I’m going to be teaching a story bead class like the one I took with Lisa Kay at Bliss Beads in DeKalb for St. Vincents as well as a book-making workshop in which we’re going to learn Japanese stab-stitch binding with each student contributing a page for the book so that everyone will have part of everyone else.  <–The Art Garage has a art therapy co-operative with St. Vincents.

 

Since these classes are in coordination with St. Vinny’s, they’re going to be more intentionally autobiographical in intent with an expectation that many of the students with be performing trauma writing.

 

I’m also supposed to be teaching a two day book-making workshop that I’m hoping to get people to think about artists books as well as making their own blank books.  The idea is to teaching them a variety of book-forms on the first day in conjunction with an introduction into artist books and non-traditional book-forms and then, on the second day, get the students to start creating artist books.  Or even artist journals since they are inextricably linked.

 

This should be interesting since I’m a very non-traditional-book-form book artist on occasion.  For example, this is a wearable book that I made.

 

 

Pardon the craptastic image.  I just recently found it again, and I haven’t had a chance to re-photograph it.

 

So, *insert segue here* as for a few questions about how artists achieve success.  I ran across an old Chicago Artists’ News (2009, XXXVI.7) that, I think, Lisa Kay gave me.  <–Again, thanks to the epic quest.  The cover story is “Is Art School Worth the Cost?”.  Now, the artists that were interviewed seem to come out to a “it depends” since some think it was amazingly important and others were very meh.  What caught my eye about this article was this quote:

It’s (art school) has been disillusioning.  A brutal wake-up call.  I’ve realized how many jerks are in the art world and how often success is based on connections instead of talent. (p. 1 & 11)

I know a lot of professionally trained artists and a lot of self-taught artists and a few who are both (I know that seems impossible, but mix a discovery-learner with art school and both can happen).  I’m technically one of those discovery-learner-art-school hybrids as is my friend and sometimes collaborator Elain.

 

Art school was important to me more in terms of space, facilities, and other people–not so much connections (though some of that happened), but more people to talk to about what was in my head trying to come out in my work.  This often didn’t go well because of my theory training which dictated a certain respect and negotiation of concept when it comes to audiences (reader-response theory) and that we are each going to approach a work depending on our cultural upbringing and the cultures with which we identify ourselves (autobiographical theory).
 

Ask ‘Lain.  I annoyed people a lot with that.

 

So, the question for y’all is this:  do you think that artist success is a matter of talent, connections, pandering to an audience, something else, or a mix?

 

I always lean towards “mix,” but I hate the idea that connections can over shadow talent and feeding an audience art that is safe and stayed and boring will get an artist further than hard work and skill.  Therefore, I think I’m coming out undecided at the moment.

 

What do y’all think?