Ugh.

I’ve been having problems getting here and doing the thing where I write at y’all about art and my studio practice, and just, I’m sorry.

I’m honestly kinda–stuck? blocked?–about what to work on lately; although, the sketch-a-day project continues apace, which I never really set any rules for myself other than I would do a sketch every day of 2014 on a 3×5″ notecard.  The project has since progressed into a sort of Welcome to Night Vale fauna thing that I have tagged #welcometonightvalefauna and, more broadly, #sketchaday on my Tumblr.

Although I occasionally forget tags so check both?

On Instagram, look through the same tags.  I have no idea if anyone else uses them, but part of the joy of Instagram tags is seeing all the things you weren’t expecting.

(Y’all would get them all the time too if Instagram actually had a share to WordPress button.  But, that’s why there’s an Instagram widget in the sidebar, yeah?)

So, here are some of my current favorites of the sketch-a-day project:

Interestingly–and completely expectedly–the sketch-a-day project is working itself out into digital paintings as well as pastel paintings (and maybe even painting-paintings, but I need to get more canvases, and they’re kinda price-y).  I’ve had requests for a book when the year is done?  Is that weird?

But, yeah, the most recent adaptations are these guys:

This does, however, mean that I have committed techno-lust and gotten myself a fancy stylus to make the iPad digital arting easier, which means I’m going to start doing digital commissions soon.  Right now, the prices are looking like this:

DIGITAL ART COMMISSIONS

  • Sketch (b&w):  $10 (additional creature $10 each)
  • Sketch (color):  $15 (additional creature $10 each)
  • Lineart (b&W):  $15 (additional creature $10 each)
  • Lineart (color):  $20 (additional creature $10 each)

Specific Series Creatures:

  • unnamed friends (b&w, existing creature):  $25 (additional creature $10 each)
  • unnamed friends (color, existing creature):  $30 (additional creature $10 each)
  • unnamed friends (b&W, original-for-commission creature):  $35 (additional creature $15 each)
  • unnamed friends (color, original-for-commission creature):  $40 (additional creature $15 each)
  • fauna (b&w, existing creature):  $25 (additional creature $10 each)
  • fauna (color, existing creature):  $30 (additional creature $10 each)
  • fauna (b&W, original-for-commission creature):  $35 (additional creature $15 each)
  • fauna (color, original-for-commission creature):  $40 (additional creature $15 each)

I haven’t opened commissions yet, but if you want to leave comments here or email me (in the sidebar) or message me on Tumblr, feel free.  Interest is likely to get me to do things more quickly.

Although, this was all spawned out of The Rainbow Hub (ya know, the place I write things for and am a Deputy Editor for?) commissioning critters from me for the site.

So, yeah.

Let me know what y’all think I should work on or if there’s interest in any of the things *waves tentacle* mentioned above.

Courage.

…I’M SORRY THAT I’VE BEEN A FLAKE THIS WEEK.

I really, really have had the worst case of exhaustion-related-to-teaching flakiness to ever happen this week. I just can’t. I’m so mad about it.

Luckily, the things that absolutely needed to be finished were completed (a little late but in no way that was more-than-slightly inconveniencing for anyone but me).

I TRY!

But!  In all of this, I’ve been developing a couple new series including predator-prey, which is a corollary series to the unnamed friends series; eloi, which was a series I started back in art school and had largely abandoned (but it was inspired by Stargate:  Atlantis and its obsession with Frank Lloyd Wright); scales and method, which is  an investigation and return to fundamentals and principles that we learn in art school; and something I’ve been referring to as “studio waste” which is still in it’s infant stages, and I’m not certain how or what I’m actually going to be doing with it.

It exists though.

I’m also wandering back into Artist Journals with a series of embroidered, mixed media journals.  We’ll see how that goes.

Sooooooooooooooooooooooooo, evidently teaching actually can spawn ideas for me?  Who knew?

So, the first of the predator-prey series.

predator-prey: Khnum
2013
digital painting
Katrina (‘Trie) Blasingame
predator-prey: Stiles
2013
digital painting
Katrina (‘Trie) Blasingame
predator-prey: All Hail the Mighty Glow Cloud
2013
digital painting
Katrina (‘Trie) Blasingame
predator-prey: Kodoma
2013
digital painting
Katrina (‘Trie) Blasingame

I’m sorry if y’all have seen them before; they’ve just suddenly decided that they are their own series, so I’m having to shuffle around the designated brain-space for them.

But, the concept behind them–so far–is:

A corollary of the unnamed friends series. While predator-prey shares similar ecology to the unnamed friends series, the predator-prey series is more focused on the potential hybridity of chimeric creatures and non-realistic representations of the natural world.

Of course, because this is me, a lot of this is happening through visual culture products like tv and movies in addition to fairytale structures.

So, yeah.

Also, don’t forget y’all, that I do that thing related to writing over at The Rainbow Hub, so if y’all need more of my spaz in your lives, you have a place to get that fix.

Courage.

don’t mind me; been busy

I’ve been working on a commission all week and getting ready to teach at SAW for the next couple of weeks (It’s not too late!  You can still sign up for classes!  There are adult ones too!) and with the writing for The Rainbow Hub (I’m Trie over there.  And did I mention that my BAMF Women Superheroes series has been extended and now has it’s own drop-down menu?  Tell me that isn’t seriously awesome.  And–if that isn’t all amazing enough–Kelly Sue DeConnick liked my Captain Marvel article.  Take that, snarky voices!), so yeah, I’ve been busy.

unnamed friends: velveteen lynx
2013
fiber sculpture/art doll
Katrina (‘Trie) Blasingame

 

This guy’s almost 2′ tall (he’s 22″).  He took like 30-40 hours to make, and he has a huge washer in his bottom (*snicker* bottom) with magnets so that he sits all proper-like.

…he also came out more Tom Servo that my drawing but whatever.

He was a pain to sew, ngl.

I’ve also gotten hooked on Welcome to Night Vale and have committed fanart–after a fashion:

All Hail the Glow Cloud!
2013
digital painting
Katrina (‘Trie) Blasingame

Basically, he’s the Glow Cloud from Welcome to Night Vale but in the style of my unnamed friends series.

So, “fanart” in the same way that At-At is a Star Wars fanart or God-Emperor is a Dune fanart?  Like, only if you squint?

unnamed friends: At-At
2011
pastel
Katrina (‘Trie) Blasingame
unnamed friends: God-Emperor
2011
pastel
Katrina (‘Trie) Blasingame

New Quarter’s also going up, and I’m not certain what I’m showing.  *hands*  It just hasn’t been important this week.

unnamed friends: vulture-loon
2013
acrylic and ink on recycled materials
Katrina (‘Trie) Blasingame

unnamed friends: just a squid
2013
acrylic and ink on masonite
Katrina (‘Trie) Blasingame

Aaaaaaaaaaaaaaaand, because I’ve had spinning in my life recently:

Both are Hello Purl art batts; both are just amazing and the best.

*loves on them*

I’ve also set up a Society6 shop, and I am working on setting up a RedBubble shop for all of your tentacle-made studios shopping needs.

So, yeah, just wanted to touch base with y’all while I’m running crazy.

Courage and cake (mmmmmm, cake).

So, yeah, it’s evidently my WordPress-anniversary?

Not that I have exciting things today.

Okay, that’s a lie.  I always have exciting things.  I AM THE GOD OF EXCITING THINGS.

…they’re exciting to me at any rate.

Untitled artwork 2013-05-28 (08.45.17-328 PM)
unnamed friends: algae primate revisited
2013
digital painting
Katrina (‘Trie) Blasingame
wall-eyed Morph-bird 2013-05-28 (08.45.14-918 PM)
unnamed friends: wall-eyed Morph-bird
2013
digital painting
Katrina (‘Trie) Balsingame
Untitled artwork 2013-05-28 (08.45.20-775 PM)
unnamed friends: bubblegum-bitch
2013
digital painting
Katrina (‘Trie) Blasingame
unnamed friends_ brain-bird 2013-05-28 (08.45.18-504 PM)
unnamed friends: brain-bird
2013
digital painting
Katrina (‘Trie) Blasingame

So, evidently, I’m getting a handle on using my iPad for painting-purposes.  Yay me!  It’s letting me continue the unnamed friends series without being in my studio. <–Sssshhhh…these guys currently aren’t on my Flickr yet.  As special thing for y’all.

On-the-go arting.  I likes it, my precious.  It’s like arting out of my backpack when  I was in art school.

Good times.

spindle’s work, Zellandine’s denoument: Eater of Worlds (left) & S.G. Dagon (right)
2013
mixed media (like whoa)
Katrina (‘Trie) Blasingame


spindle’s work, Zellandine’s denouement: palimpsest
2013
mixed media
Katrina (‘Trie) Blasingame

One of my most recent mixed media pieces: palimpsest. A palimpsest is “a manuscript page from a scroll or book from which the text has been scraped or washed off and which can be used again.”  So, not literally but yeah.  This was once part of a color field diptych that I’ve recycled.

It’s also kinda combining several different modes I’ve been working in:  fiber/art yarn, color field painting, and my taxonomy series. So, that’s a thing.

Honestly, this is totally not my favorite piece; however, I have had several people really love it. I think it’s kinda safe and pedantic and not really doing more than being pretty, but conceptually, the idea is embedded in the idea of the palimpsest as well as making references to Beauty and the Beast (which is so often the safest of fairytales in my mind) but problematizing it by being on the outside of the story–we are but observers hearing the stories told over and over and going to see ruins–and placing visuals cues for women’s work and how Beauty is both the paragon and the subversion of femininity as well as cue-ing for Rose Windows: symbol of the Virgin Mary as well as being one of the main points of Biblical education in pre-literate Europe.


spindle’s work, Zellandine’s denouement: non-Euclidean geometry (or, The Queen’s Mirror)
2013
mixed media
Katrina (‘Trie) Blasingame

So, I have a massive thing for the Queen’s magic Mirror. Mirrors (and windows) kinda freak me out because they’re these places of Otherness and alterity.  They’re, theoretically, showing us reality, but that reality is different for each person, so how can it really be reality.  It’s very quantum.

And, the Queen’s Mirror is even more-so because it sees everywhere, sees the future, sees the past, is a voice and face that only exists for one person, and can move into our world to become something even more horrifying, more grotesque.  So, yeah, the Mirror is kinda a thing for me.

non-Euclidean geometry is kinda the Mirror taken to different places: objects in space, bulbous and grotesque, the Sacred Heart, and the vagina dentata. All of this framed in fairytale, illuminated manuscript ways. There’s even some Scott Treleavan reference in there in the framing.

I kinda like these little Vine-vidlets for documenting my pieces. They’re so difficult to photograph; I think the vidlets do better.

Aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaand, this has gotten really long again, so I’m out.

Courage.

Gallery Nite Green Bay Debrief

So, a pretty decent turn out at the ARTgarage despite the Wisconsin weather being its typical can’t-decide-if-it’s-gonna-snow-or-rain-or-be-ridiculously-bright-and-cherry self.  (FYI:  It’s snow right now.  *SIGH*  What-EVER.)

So, if y’all have been following tentacle-made studios at home via FacebookTwitter/Vine (I’m triesquid on Vine too.), or Tumblr*, you’ll already be fairly versed in all of this, but meh, feel free to skip ahead to the videos if  ya’d like.

*I always feel like I should explain about my Tumblr.  It started out as a on-the-go, more-free-wheeling art blog and has quickly become a weird hybridization of my studio practice, activism, art morgue, fic and poetry (some written by me and some not), and fandom artifacts (which are important because my art practice is informed by Visual Culture/Popular Culture and fandom iterations of VC/PC have become a part of that for me with fandom’s critical thinking and free-range creativity), so my Tumblr is a bit wild and wacky.

So, stuff sold, which is kinda a nice change of pace, and I’m starting to thing about revisiting the idea of the plushie unnamed friends since I had a bunch of kids kinda go mental over the fungoid owlets.

unnamed friends: fungoid owlet (18/100)
2012
Katrina (‘Trie) Blasingame

I dunno.  I think the other unnamed friends could translate nicely to something Ugly Doll-esque.

unnamed friends: Stymie
2011
Katrina (‘Trie) Blasingame

And, that’s kinda beside the point.  Gallery Nite debrief–GO!

Miss Zoe from Knits by Zoe and ‘Lain (We went to art school together.) came out and spun with me.  It was nice.  I don’t get to spend enough time with either one of them since they live in Green Bay, and I’m way-the-way out in BFE-Shawano.

Instagram photo taken by whee71 (aka Gnome)

This was my display filled with all sorts of fun things, which the break down was basically–

14 art batts, 10 drop spindles, 5 ball-winders, and 4 knitty-knotties (which I misspelled on the tags because I can never decide if “knotty” has one t or two–what can ya do?).

Additionally, there was some handmade jewelry, fungoid owlets, button packs, and plot bunnies.

Here’s a better idea of what the display looked like.  That’s ‘Lain in the back–fighting with her wheel.

This is the wonderful and talented Miss Zoe of Knits by Zoe spinning away on a Hello Purl art batt in order to make her dreads that she sells at The Glass Monkey in Green Bay.

And, speaking of Hello Purl (I could explain the tangent, but I don’t wanna!  Mwhahahahahahahaha!), there’s evidently a new Arts Events website being developed called something like “Whoa New”.  I didn’t quite catch their name, but I did have a nice chat with the Writer and Photographer (who we’re having a One-Degree of Separation thing).  So, that’s exciting and totally something that the area needs, like whoa.

Also, my very own Gnome is going to be the musical entertainment at the June Gallery Nite, so yeah, y’all should come out and listen to him play.

Courage.

So, stuff. THINGS. /oblique TWD reference

Yeah, I don’t even watch The Walking Dead.  I started to watch it back when it first aired, and it just moved too slowly for me.

…or, that could have been Grad School sucking out loud.  Maybe I should try it again?  I have sorta picked up A Game of Thrones.

…kinda…

Do I really have to read the novels?  I really don’t want to.

So, before that massively weird tangent happened, I have stuff and things to tell.

I’m evidently moonlighting in the (dark part of the) unnamed friends series again, so that’s all sorts of exciting–and messy.  Have I mentioned the messy?

unnamed friends: falling
2013
pastel on canvas
Katrina (‘Trie) Blasingame

So, basically, I’ve had kinda a sucky day, so how better to make myself feel better?

TORTURE ONE OF THE UNNAMED FRIENDS!

This is something that’s been happening in this series.  They kinda stopped being all cute and fluffy and started bleeding from the eyes or having huge, massively, rip-your-throat-out teeth.

So, from kawaii to kowaii while still being kawaii.

Aaaaaaaaaaaaaaaaaaaaaaand, because I’m kind of a tech-dork (or, at least, a tech-dilettante), I started using Vine (I’m triesquid for those of you who do that sorta thing.), so now, y’all get process vidlets where I don’t talk to you.

In other news, I SOLD TWO PIECES OUT OF MY SOLO SHOW!

I know, it’s not like a huge THING, but I’m excited.  I mean, spindle’s work, Zellandine’s denouement is a completely conceptual series that (largely) isn’t remotely traditional in it’s format, and people bought pieces.

In Green Bay?!?!  <–Surely, this is a sign of the Mishapocalypse Apocalypse.

Okay, okay, I’m done being silly for now.

Courage.

Controversial Wednesdays: Fair Use Appropriation vs. Intellectual Theft via Hyperallergic

So, lovies, I hope that y’all had (or will have) the pleasant holidays or not-holidays of your choice.  Mine was insane what with the not!Apocalypse intervening.  Although, it did make liveblogging the apocalypse so much fun over on my Tumblr.

Okay, things that I’ve been up to since the last time I was here chatting with y’all:

spindle’s work, Zellandine’s denouement
2012
Katrina (‘Trie) Blasingame
Hello Purl art batt, fairy lights

Still working on the spindle’s work, Zellandine’s denouement series (which is going to be in a show not-at-the-ARTgarage in February!).

Spinning 450 yards of the worst spinning to ever to have existed.  Ever.  It was like spinning freakin’ elastic.  So not something that I ever want to do again.  Seriously.

Thor and Loki. Loki has evidently been up to some sort of mischief.
“Brother! What have you done now?!?!?”

Making weird vignettes with my bobble-heads and posting them to my Instagram and my Tumblr because I can…and because I’m kinda insane.  BUT IT’S FUN THOUGH!

Sorry-not-sorry.

unnamed friends: why does it always have to have big, nasty teeth?
2012
Katrina (‘Trie) Blasingame
pastel

Evidently, the unnamed friends series (or, at least, it’s severely dark and twisted incarnation) is still going.  IDEK.

Being a pop-gun pirate.  Because I can. <–It’s my weapon of choice.

I’ve also been cleaning and re-arranging my studio, so that was a thing that happened.

Okay, now to actually relevant-to-the-art-world sorta things.

So, evidently, there was more-than-bit of controversy at the Miami Scope, which Hyperallergic took some extra time to talk about in “When Is Appropriation Just Copying?

MAKE CERTAIN TO READ THE ENTIRE ARTICLE!  Maybe even click some of the links.  Ya know, before anyone throws a fit.  Okay?

when he noticed something: work by an artist named Josafat Miranda that looked exactly like his own. Miranda had taken photographs shot by Levesque years ago and painted them nearly to a tee — recreations with added color and flair. He had done the same thing with some photos shot by Marie Killen. Miranda’s pieces were being sold for $4,000 a piece at a gallery booth at Scope.

Levesque didn’t say anything at the time, but a few days later, he lined up the pairs of images side by side and posted about it on Tumblr. The post went viral, newspapers picked up the story, and the repercussions for Miranda were swift: within days, Robert Fontaine Gallery had pulled his work, canceled his pending sales, dropped him from its roster, and denounced him.

It’s actually a very complicated discussion, and this may not be the best example as the basis for this discussion because, honestly, we’re not really getting whether or not Miranda had a conceptual re-contextualization of Levesque’s work or not; therefore, a truly informed conversation about this particular incident is difficult to have. <–I actually kinda want to know whether or not he was indicating where he was getting the imagery from. It doesn’t necessarily change anything, but it would expand the breadth of the conversation.

Yet, this is a very interesting fair use vs. intellectual theft conversation–especially since Levesque was less concerned about his work and more about his friend, Marie Killien’s, whose a young, struggling artist and that Levesque provided examples about what Miranda could have done to tread the line of fair use BETTER.

And, maybe, this is the difference between artists that came up through the ranks of deviantArt and Tumblr and other places that have a heavy fan-culture association, who came out of fan culture to begin with, versus those that come out of a purely fine art background: we live off of the mash-up; we borrow heavily; we synthesize, and usually, we’re very good about saying where our inspirations are coming from. Because that’s how we survive as a fan culture.

We also police the hell out of ourselves so that everyone knows where the lines are.

This is a conversation that’s going to have to happen more and more as artists of all flavors come out of these fan places (I see it on Tumblr a lot with cosplay, oddly.) because, as much as it may seem simple and straightforward, there is rarely anything that IS simple and straightforward.

So, what do y’all think about this?

Remember, be reasonable, be thoughtful, be considerate.

Courage.

Art-ing, bookmaking, NaNo, and poetry.

Sorta.

I’ve been up to my pointed little ears in work.  Gallery Nite was last week, so that’s always kinda epic on November because everyone is trying to get everyone else to buy what they’re selling.

(NB:  I actually sold a skein of yarn.  Mind, y’all, it was like a $15 skein of yarn, but baby-steps, right?)

I was also busy because my bookmaking class at the ARTgarage went (and I think it went well, but I also haven’t looked at the evaluations because evaluations scare the bejeezus out of me after years teaching College Composition.  Just no.)

We made six book-types in six hours:  instabooks (five forms), hard-backed concertina/accordion books, pamphlet books (they did 3-hole, and I showed them 5-hole), “easy” Coptic bound (still took an hour and a half), Japanese stab stitch (the easiest version but with supplemental instructions on the other three I have wandering around), and a folded altered-book form.

So, yeah, a lot of books in a very short amount of time.

5-hole pamphlet bound sample book

 

“easy” Coptic bound sample book

These are two of the books that we made.  Everyone chose their own colors for everything, so no person’s book was like anyone else’s unless the person chose it to be.  These were the ones I made during the class so that I could show the students what to do.

It’s actually kinda difficult to make the book and talk about making the book at the same time.  I hadn’t expected that for some reason.  I think, if the class goes again, I’ll be better prepared for that difficulty.

…it totally didn’t help that I hadn’t made books in a while and kinda hadn’t expected the class to actually go.

*whistles*

I’m thinking about talking to the SAW coordinator at the ARTgarage and seeing if a bookmaking class (or papermaking or some sort of fiber arts class) might not be a good addition to the standard curriculum of painting, pastels, and drawing.  Not that that isn’t all well and good and necessary, but it seems like it might be nice to start introducing them to alternative art-making forms, right?

What got me thinking about seeing about these additions is that an art!friend of mine asked me (and a bunch of other artists) if we would be interested in helping out with a high school (portable) mural project.  I was, so I am. *\o/*

And, another art!friend of mine is putting together another show and has asked me if I’d like to play.  This is my friend who coordinated and curated the Circus Nerve show last April, which was amazing and bizarre and we should totally do another circus-themed show because that was fantastic!   The piece I made specifically for the show was this guy:

unnamed friends: pyramid-bird
2012
acrylic and spray paint on canvas
Katrina (‘Trie) Blasingame

So, yeah, that’s exciting!

And, NaNo is proceeding apace.  I’ve actually cracked 40,000, so only 10,000 to go!

Mind, y’all, I think I’m only through about a third of my actual plot, but meh.  This silly thing is actually going to be a fully conceptualized and plotted out novel if I die trying! <–There shall be no dying; there shall only be victory!

And, that brings us to poetry.  I have been promising, so here are some of the poems I’ve been writing and posting on my on-the-go studio Tumblr/fandom Tumblr (because, if y’all have noticed, a lot of my art-practice is highly conceptualized from visual culture/popular culture, fairy tales, myths, legends, and well, yeah).

untitled
2012
Katrina (‘Trie) Blasingame

 

Henry, or Meeting Aurora
2012
Katrina (‘Trie) Blasingame

 

Rumple
2012
Katrina (‘Trie) Blasingame

 

deadlights
2012
Katrina (‘Trie) Blasingame

If you want to see more, and you just can’t wait until the next time I post some, don’t want to follow my Tumblr, or be my friend on Instagram, I have a folder on Flickr for my Instagramed-poetry.

Okay, I really must go off and commit more literary atrocities.

Have a good Thanksgiving or Thursday, depending on where y’all are!

NaNo on!

Courage.

inside the tentacle-made studios (the ARTgarage edition)

So, yeah, before I do anything else, y’all have got to go check out the dance sequence in last week’s episode of Bunheads.  Just, go to minute mark 39 and watch.

I’ll wait.

So.  What’d y’all think?

Leave your thoughts in the comments, and we can all have a nice chat about it.

Okay, yes, real art-blog business.  Right.  A real post.

*tra lala la la la la la*

The ADHD is bad today.  Sorry about that.

*insert segue here*

So, my studio at the ARTgarage is the size of a sneeze.  Totally.  Like, if I take Vincent (my spinning wheel) in there with me, there’s about a foot to a foot-and-a-half of space in front and behind me with maybe 8 inches on either side.*

*I don’t know how accurate those measurements are since I have never actually measured when I was in my studio spinning.  That’d be weird.

This is the view into my studio coming through another Ahliah Zia Shashonah’s studio.  We actually confuse people because our aesthetics are similar enough that it looks like one big studio.  It’s not, though.

Most of the work that I do in this studio is pastel work, spinning, ink, bookmaking, sewing, or the occasionally layer media over monoprint (this is still a developing thing for me).  I get a lot done in a small space and have some lovely display space.

…it also means that I actually have to talk to people on occasion.  If I only worked in the tentacle-made studio at Hemlock House, then I’d probably never speak to anyone other than you lovely people.

Introvert=me.

My work desk with some of my as-yet-photographed Nothing(s) hanging about and some of my hides series.

I like used atlases too, if anyone has any that they’d like to send my way.  Or old books.  Or sheet music.  Or, ya know, stuff.

Panning to the right, you can see my Ur-bag taking up valuable floor space, my craptastic storage (that’s gotten a bit better, admittedly, since I got a little storage cart that goes underneath the work table), and art displayed from the unnamed friends series, the taxonomy series, the impression portraits, and spindle’s work, Zellandine’s denouement series.

Further to the right is more of my storage, my ARTgarage pastel box (I have one in the tentacle-made studios too), and more of my art:  the scrump series, the chimera series, the unnamed friends series, more of the spindle’s work series, and some random book arts stuff.

And, lastly, my easel, which I have had since I was a teenager, with the first piece in the beast series still on it.

So, yeah, that’s my sneeze-sized studio.  Come by the ARTgarage, and you might see me in it.

And, since we’re on the ARTgarage and me haunting the place on a semi-regular basis, I’m teaching some classes for them this fall:  3 drop spindle workshops (Sept. 13th, Oct, 13th, and Nov. 13th) and a 6 books in 6 hours bookmaking class (Sept. 29th and 30th).  So, if any of those are interesting to you, let me know or check out the classes section of the ARTgarage website.

Mine are not currently listed because they were just turned in last week, but yeah, they’ll be there soon.  I hope.

Courage.